Hun Batz and Hun Chouen serve as the narrators of the piece. In Maya culture, both (a spider monkey and a howler monkey) are considered the gods of artists and are always depicted painting and playing instruments. In the staging, we have embodied Hun Batz as a moving drawing using the stop-motion technique, and Hun Chouen as an actress who narrates while simultaneously creating part of the sonic space by playing an electric violin live.

The classic narrative storytelling device is established. Multiple languages coexist, such as moving drawing, shadow theater, and object theater through various lanterns and a transparency projector, urban dance, and the combination of electronic music inspired by pre-Hispanic music and the live electric violin of the narrator.

In this way, we alternate between visual, atmospheric, choreographic, and narrative moments to immerse ourselves in a distant and poetic world.